Koji appears - and disappears - on page 267 in a moving scene in the Pump Room B. It also occupies an extensive footnote in its entirety on the same page (No. 22). Originally from New Zealand, but the nickname is doubly Koji deliberately. Here below are a unique material showing the actual close artistic relationship Koji arts and culture of the Far East. Especially
dla bloga W połowie puste Koji mówi:
The story is a bit long-winded to be of use here, but I made a lot of work from the late 90's thru to early 00's that engaged in Asia in general and China in particular, often in collaboration with members of the rapidly growing immigrant cultures from this part of the world, and often parodically assuming identities for film/video works.
Here's a still from one 'Kum of Sum Yung Gai' 1996
and more from a much later 're-visit' 'Ciao frum Sum Auld Gai' 2006
Maybe for the sake of the blog it will be funnier/easier just to say you've been given this rare footage of a B grade Asian zombie film and think you recognise the actor as having since settled in the nearer-East of Warszawa...
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